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A fascinating and hilarious expose of how a group of young opportunists, chancers and geniuses found instant fame and fortune by messing about on the web. And one man’s attempt to follow in their footsteps.

Having covered the first dot com boom, and founded a web-to-print publishing business during the second one, Paul counts many of the leading Internet entrepreneurs amongst his closest friends. These friendships mean he doesn’t just attend their product launches and press conferences and speak at their events, but also gets invited to their ultra-exclusive networking events, and gets drunk at their parties.

Paul has enjoyed this bizarre world of excess without having to live in it. To help the moguls celebrate raising millions of pounds of funding without having to face the wrath of the venture capitalists himself. But in 2006, Paul decided he didn’t want to be a spectator any more. He had been harbouring a great dot com project of his own and decided it was time to do something about it.

Men, money, duelling and murder: welcome to the infamous Derby race of 1844 and the gambling mania that gripped early 19th century Britain.

This is a tale of money, gambling and sporting obsession; of rogues and rascals, outrageous criminality, aristocratic complacency, and a gripping investigation to expose the most audacious sporting plot of the age. In the early 1840s, Britain was the gambling capital of Europe and the Epsom Derby was attracting countless spectators and many millions of pounds in wagers. It was a time of frenzied speculation, high stakes and low morals.

But as the unprincipled Regency era gave way to the high-mindedness of the Victorian period, reformers decided it was time to challenge the murky world of illegal gambling and in 1844, launched the far-reaching Parliamentary Enquiry. When the Derby of the same year ended in chaos, with the two favourite horses doped, the Turf’s most dedicated follower and greatest tyrant Lord George Bentinck, took it upon himself to uncover the truth of what happened that day, which led to one of the most sensational court cases of the 19th century. A compelling detective story peopled with low-life aristocrats and high-minded reformers, GENTLEMEN AND BLACKGUARDS paints a rich picture of early Victorian society, bringing to light an overlooked turning point in British history.

Just over a century ago, Our Island Story entranced a nation’s children by telling their history in stories. Short, simply written chapters, packed with living characters and thrilling action – and illustrated with vivid colour pictures – illuminate all the main events from Britain’s earliest days to the end of Victoria’s reign. And its glorious fusion of myth and legend with sober fact – Canute and King Arthur with Cromwell and the Indian Mutiny – is as seductive now as it ever was.

‘I was given H.E. Marshall’s Our Island Story at Christmas 1936 and I’ve still got that copy. It was a direct inspiration for me in my career as a historian’ Antonia Fraser

‘It is written in a way that really captured my imagination and which nurtured my interest in the history of our great nation’ David Cameron

‘One of the most influential works of history of the 20th century’ Times Educational Supplement

Evelyn is struggling to come to terms with the loss of her brother in the Great War, and to make her own way in the world – when a woman arrives with her brother’s illegitimate child…

Living at home with her mother, aunt, and grandmother, Evelyn is still haunted by the death of her younger brother James in the First World War. She is also determined to make a career for herself as one of the first female lawyers. So when the doorbell rings late one night and a woman appears, claiming to have mothered James’s child, her world is turned upside down.

Evelyn distrusts Meredith at first, but also finds that this new arrival challenges her work-obsessed lifestyle. So far her legal career has not set the world alight. But then two cases arise that make Evelyn realise perhaps she can make a difference. The first concerns a woman called Leah Marchant whose children have been taken away from her simply because she is poor. The second, Stephen Wheeler, has been charged with murdering his own wife. It is clear that Wheeler is innocent but he won’t talk.

In the meantime, Meredith makes an earth-shattering accusation about James – and Evelyn falls in love with a man engaged to be married. With the Wheeler case coming to a head, and her heart in limbo, Evelyn takes matters into her own hands…

Based on the letters that inspired Clint Eastwood’s film

LETTERS FROM IWO JIMA reveals the true story of the Battle of Iwo Jima, the subject of two films directed by Clint Eastwood. FLAGS OF OUR FATHERS tells the story of the US Marines who raised the flag above the island: the iconic image of the war with Japan. His other film, LETTERS FROM IWO JIMA tells the story from Japanese point of view. At the heart of the story is the maverick general Tadamichi Kuriyabashi, devoted family man, brilliant leader and the first man on the island to know they were all going to die.

As Clint Eastwood comments, ‘General Kuribayashi was a unique guy. He liked America. He thought it was a mistake to go to war. . America was too big an industrial complex.’ Unlike most Japanese officers, he had travelled abroad, spent time in America, and was under no illusions as to the ultimate end. He fought and died to delay the Americans for as long as he could. He knew that once the island fell, it would be used as an airbase by US bombers to strike at Tokyo. His unorthodox methods made this the fiercest battle the US Marines have ever faced, and he sustained resistance far longer than anyone believed possible.

Kumiko Kakehashi’s heart-rending account is based on the letters written home by the doomed soldiers on the island, mostly family men, conscripted late in the war. She reveals a very different Japanese army from the popular image. It is an incredibly moving portrayal of men determined to resist to the last breath, despite their profound opposition to the regime that led them into war.

How the men and women of Britain found ‘the road home’ after the Great War. From the SUNDAY TIMES bestselling author of THE LOST POST.

11am, 11.11.1918: the war is finally over.

After four long years Britain welcomed her heroes home. Wives and mothers were reunited with loved ones they’d feared they’d never see again. Fathers met sons and daughters born during the war years for the very first time. It was a time of great joy – but it was also a time of enormous change.

The soldiers and nurses who survived life at the Front faced the reality of rebuilding their lives in a society that had changed beyond recognition. How did the veterans readjust to civilian life? How did they cope with their war wounds, work and memories of lost comrades? And what of the people they returned to – the independent young women who were asked to give up the work they had been enjoying, the wives who had to readjust to life with men who seemed like strangers?

Noisy popular liberal interventionism? Or a more conservative, diplomatic approach concentrating on co-operation between nations? This is the debate that lies at the heart of modern politics and Hurd traces its most interesting and influential exponents.

He starts with Canning and Castelreagh in post Waterloo Britain; to a generation later, the victory of the interventionist Palmerston over Aberdeen; then to Salisbury (Imperialism) and Grey (European balance of power); and finally to Eden and Bevin who combined to lay the foundations of a post-war compromise.

That delicate balance has served its purpose for over half a century, but as we enter a new era of terrorism and racial conflict, the old questions and divisions are re-surfacing . . .

Noisy popular liberal interventionism? Or a more conservative, diplomatic approach concentrating on co-operation between nations? This is the debate that lies at the heart of modern politics and Hurd traces its most interesting and influential exponents.

He starts with Canning and Castelreagh in post Waterloo Britain; to a generation later, the victory of the interventionist Palmerston over Aberdeen; then to Salisbury (Imperialism) and Grey (European balance of power); and finally to Eden and Bevin who combined to lay the foundations of a post-war compromise.

That delicate balance has served its purpose for over half a century, but as we enter a new era of terrorism and racial conflict, the old questions and divisions are re-surfacing . . .

Gripping account by Richard Hammond of life before and after his terrifying high-speed car crash.

Richard Hammond is one of our most in-demand and best-loved television presenters. In September 2006, he suffered a serious brain injury following a high-speed car crash. ON THE EDGE is his compelling account of life before and after the accident and an honest description of his recovery, full of drama and incident.

An adrenalin junkie long before his association with Top Gear, Richard tells the story of his life, from the small boy showing off with ridiculous stunts on his bicycle to the adolescent with a near-obsessive attraction to speed and the smell of petrol.

After a series of jobs in local radio, he graduated to television and eventually to Top Gear. His insights into the personalities, the camaraderie and the stunts for which Top Gear has become famous, make compulsive reading. It was whilst filming for Top Gear that Richard was involved in a high speed crash, driving a jet-powered dragster.

His wife Mindy tells the story of the anxious hours and days of watching and waiting until he finally emerged from his coma. In an extraordinarily powerful piece of writing, she and Richard then piece together the stages of his recovery as his shattered mind slowly reformed. The final chapter recounts his return home and his triumphant reappearance in front of the cameras.

Gripping account by Richard Hammond of life before and after his terrifying high-speed car crash.

Richard Hammond is one of our most in-demand and best-loved television presenters. In September 2006, he suffered a serious brain injury following a high-speed car crash. ON THE EDGE is his compelling account of life before and after the accident and an honest description of his recovery, full of drama and incident.

An adrenalin junkie long before his association with Top Gear, Richard tells the story of his life, from the small boy showing off with ridiculous stunts on his bicycle to the adolescent with a near-obsessive attraction to speed and the smell of petrol.

After a series of jobs in local radio, he graduated to television and eventually to Top Gear. His insights into the personalities, the camaraderie and the stunts for which Top Gear has become famous, make compulsive reading. It was whilst filming for Top Gear that Richard was involved in a high speed crash, driving a jet-powered dragster.

His wife Mindy tells the story of the anxious hours and days of watching and waiting until he finally emerged from his coma. In an extraordinarily powerful piece of writing, she and Richard then piece together the stages of his recovery as his shattered mind slowly reformed. The final chapter recounts his return home and his triumphant reappearance in front of the cameras.

The story of the everyday heroism of British bomber crews in 1944 – the turning point year in Bomber Command’s war against Germany.

There were many ways for a combat crew to die during Bomber Command’s war of 1944. Over German territory, bursts of heavy flak could tear the wings from their planes in a split second. Flaming bullets from German fighter planes could explode their fuel tanks, cut their oxygen supplies, destroy their engines. In the spring of that year, thousands of young men were shot, blown up, or thrown from their planes five miles above the earth; and even those who returned faced the subtler dangers of ice and fog as they tried to land their battered aircraft back home.

The winter of 1944 was the most dangerous time to be a combat airman in RAF Bomber Command. The chances of surviving a tour were as low as one in five, and morale had finally hit rock bottom. In this comprehensive history of the air war that year, Kevin Wilson describes the most dangerous period of the Battle of Berlin, and the unparalleled losses over Magdeburg, Leipzig and Nuremberg.

He tells how ordinary men coped with constant pressure of flying, the loss of their colleagues, and the threat of death or capture. And, by telling the story of the famous events of this period – the Great Escape, D-Day, the defeat of the V1 menace – he shows how, through sheer grit and determination, the ‘Men of Air’ finally turned the tide against the Germans.

The story of the everyday heroism of British bomber crews in 1944 – the turning point year in Bomber Command’s war against Germany.

There were many ways for a combat crew to die during Bomber Command’s war of 1944. Over German territory, bursts of heavy flak could tear the wings from their planes in a split second. Flaming bullets from German fighter planes could explode their fuel tanks, cut their oxygen supplies, destroy their engines. In the spring of that year, thousands of young men were shot, blown up, or thrown from their planes five miles above the earth; and even those who returned faced the subtler dangers of ice and fog as they tried to land their battered aircraft back home.

The winter of 1944 was the most dangerous time to be a combat airman in RAF Bomber Command. The chances of surviving a tour were as low as one in five, and morale had finally hit rock bottom. In this comprehensive history of the air war that year, Kevin Wilson describes the most dangerous period of the Battle of Berlin, and the unparalleled losses over Magdeburg, Leipzig and Nuremberg.

He tells how ordinary men coped with constant pressure of flying, the loss of their colleagues, and the threat of death or capture. And, by telling the story of the famous events of this period – the Great Escape, D-Day, the defeat of the V1 menace – he shows how, through sheer grit and determination, the ‘Men of Air’ finally turned the tide against the Germans.

George Steiner, the eminent professor of English at Cambridge and Geneva universities, has outlined seven books he has never written, but has always wanted to write, in seven sections.

In this fiercely original and audacious work, George Steiner tells of seven books which he did not write. Because intimacies and indiscretions were too threatening. Because the topic brought too much pain. Because its emotional or intellectual challenge proved beyond his capacities.

The actual themes range widely and defy conventional taboos: the torment of the gifted when they live among, when they confront, the very great; the experience of sex in different languages; a love for animals greater than for human beings; the costly privilege of exile; a theology of emptiness.

Yet a unifying perception underlies this diversity. The best we have or can produce is only the tip of the iceberg. Behind every good book, as in a lit shadow, lies the book which remained unwritten, the one that would have failed better.

A fascinating slice of East End life, from the No.1 bestsellilng author of CALL THE MIDWIFE, soon to be a major BBC TV series.

In this follow up to CALL THE MIDWIFE, Jennifer Worth, a midwife working in the docklands area of East London in the 1950s tells more stories about the people she encountered.

There’s Jane, who cleaned and generally helped out at Nonnatus House – she was taken to the workhouse as a baby and was allegedly the illegitimate daughter of an aristocrat. Peggy and Frank’s parents both died within 6 months of each other and the children were left destitute. At the time, there was no other option for them but the workhouse.

The Reverend Thornton-Appleby-Thorton, a missionary in Africa, visits the Nonnatus nuns and Sister Julienne acts as matchmaker. And Sister Monica Joan, the eccentric ninety-year-old nun, is accused of shoplifting some small items from the local market. She is let off with a warning, but then Jennifer finds stolen jewels from Hatton Garden in the nun’s room. These stories give a fascinating insight into the resilience and spirit that enabled ordinary people to overcome their difficulties.

A fascinating slice of East End life, from the No.1 bestsellilng author of CALL THE MIDWIFE, soon to be a major BBC TV series.

In this follow up to CALL THE MIDWIFE, Jennifer Worth, a midwife working in the docklands area of East London in the 1950s tells more stories about the people she encountered.

There’s Jane, who cleaned and generally helped out at Nonnatus House – she was taken to the workhouse as a baby and was allegedly the illegitimate daughter of an aristocrat. Peggy and Frank’s parents both died within 6 months of each other and the children were left destitute. At the time, there was no other option for them but the workhouse.

The Reverend Thornton-Appleby-Thorton, a missionary in Africa, visits the Nonnatus nuns and Sister Julienne acts as matchmaker. And Sister Monica Joan, the eccentric ninety-year-old nun, is accused of shoplifting some small items from the local market. She is let off with a warning, but then Jennifer finds stolen jewels from Hatton Garden in the nun’s room. These stories give a fascinating insight into the resilience and spirit that enabled ordinary people to overcome their difficulties.

A fascinating slice of social history – Jennifer Worth’s tales of being a midwife in 1950s London, now a major BBC TV series.

Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction.

Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer’s stories bring to life the colourful world of the East End in the 1950s.

A fascinating slice of social history – Jennifer Worth’s tales of being a midwife in 1950s London, now a major BBC TV series.

Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction.

Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer’s stories bring to life the colourful world of the East End in the 1950s.

Jennifer Worth’s tales of being a midwife in 1950s London, now a major BBC TV series.

Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction.

Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer’s stories bring to life the colourful world of the East End in the 1950s.

By the bestselling author of The Drowning People

Joan McAllistair is about to embark on the ‘Trip of a Lifetime’ with her daughter Eloise; a journey back to her childhood South Africa and the family homestead in the old Boer Republic of the Orange Free State. For Eloise, a successful hedge fund manager, the trip is partly a gift, partly a means of assuaging the guilt she feels at moving her mother from her own flat to an expensive care home.

Joan has not visited the country since she was twenty-two but the chance discovery of her grandmother’s journal transports her to the troubled times of the Anglo-Boer war. Eloise, in the meantime, has gambled her company’s entire fortune on a promise made by an old lover – a scientist whose life’s work has been stalled by a broken heart.

As their stories unravel and Joan is faced with the prospect of being surrounded by strangers who do not understand her, she takes increasing refuge in the landscape of her mind – in journeys to her own past. She also finds an unexpected friend in a lonely teenager who shares her fascination with history, in particular the haunting story of a young girl and boy who once lived in the home.

Moving between nineteenth-century England and South Africa, war-time Paris and London, The Lighted Rooms is a stunningly incisive and poignant novel about family, duty and the challenging world of the mind.

A stunningly incisive and poignant novel about family, duty and the challenging world of the mind.

Joan McAllistair is about to embark on the ‘Trip of a Lifetime’ with her daughter Eloise; a journey back to her childhood South Africa and the family homestead in the old Boer Republic of the Orange Free State.

For Eloise, the trip is partly a gift, partly a means of assuaging her guilt at moving her mother into a care home. For Joan, the discovery of her grandmother’s journal transports her to the troubled times of the Anglo-Boer war. Eloise, in the meantime, has gambled her business’s entire fortune on a promise made by an old lover.

As their stories unravel, Joan takes increasing refuge in the landscape of her mind – in journeys to her own past. She also finds an unexpected friend in a lonely teenager who shares her fascination with history.

‘In this globe-scattered Sri Lankan family, we speak only of two kinds of marriage. The first is the Arranged Marriage. The second is the Love Marriage.’ An outstanding debut novel of fractured family relationships in modern Sri Lanka.

Reverse a family tree and branches of blood are whittled down to one person – in this case, the young female narrator, Yalini – composed of all the women and men who came before her; the result of many marriages. Parents want nothing more than to prevent their children from colliding with inevitability: that in a different world, there is a different kind of marriage. Yet Tamil and Sinhalese parents – particularly after the great ethnic violence in Sri Lanka in 1983 – watch helplessly as their children cut themselves free of the need to please their ancestors. They walked out of the country to give their children opportunity, but this was not the opportunity they intended them to take: Western marriage.

For Yalini and her generation, they are the children of their parents, but have entered other countries in which the rules of marriage – Love Marriage, Arranged Marriage, and all that lies in between – dramatically do not apply.

Prize-winning historian Lawrence Freedman takes an exceptionally clear-eyed look at America’s strategic predicament in the Middle East, over the past 30 years.

The United States is locked into three prolonged conflicts without much hope of early resolution. Iran is pursuing a nuclear programme; the aftermath of the overthrow of Saddam Hussein has seen unrelenting intercommunal violence; and the Taliban have got back into Afghanistan.

Lawrence Freedman teases out the roots of each engagement over the last thirty years and demonstrates with clarity and scholarship the influence of these conflicts upon each other.

The story is complex and often marked by great drama. First, the countries in dispute with America are not themselves natural allies; second, their enmity was not, at first, America’s choice. Third, the region’s problems cannot all be traced to the Arab-Israeli dispute. Unique in its focus, this book will offer not only new revelations but also remind us of what has been forgotten or has never been put in context.

Prize-winning historian Lawrence Freedman takes an exceptionally clear-eyed look at America’s strategic predicament in the Middle East, over the past 30 years.

The United States is locked into three prolonged conflicts without much hope of early resolution. Iran is pursuing a nuclear programme; the aftermath of the overthrow of Saddam Hussein has seen unrelenting intercommunal violence; and the Taliban have got back into Afghanistan.

Lawrence Freedman teases out the roots of each engagement over the last thirty years and demonstrates with clarity and scholarship the influence of these conflicts upon each other.

The story is complex and often marked by great drama. First, the countries in dispute with America are not themselves natural allies; second, their enmity was not, at first, America’s choice. Third, the region’s problems cannot all be traced to the Arab-Israeli dispute. Unique in its focus, this book will offer not only new revelations but also remind us of what has been forgotten or has never been put in context.

Spellbinding memoir of a woman coping with the aftermath of her husband’s traumatic brain injury.

When Abigail Thomas’s husband, Richard, was hit by a car, it destroyed his short-term memory and consigned him to permanent brain trauma. He had been taking their dog, Harry, out for a walk, and Harry had come home alone.

Subject to rages, terrors, and hallucinations, Rich must live the rest of his life in an institution. He has no memory of what he did the hour, the day, the year before. This tragedy is the ground on which Abigail had to build a new life rather than abandon her husband. How she built that life is a story of great courage and great change, of moving to a small country town, of a new family composed of three dogs, knitting and friendship, of facing down guilt and discovering gratitude. It is also about her relationship with Rich, a man who lives in the eternal present, and the eerie poetry of his often uncanny perceptions. This wise, plain-spoken, beautiful book enacts the truth Abigail discovered in the five years since the accident: You might not find meaning in disaster, but you might, with effort, make something useful of it.

Forced to adapt to a life alone, Abigail finds solace at home, discovering that friends, family and dogs (Carolina, Harry and Rosie) can reshape a life of chaos into one that, while wrenchingly sad, makes sense – a life full of its own richness and beauty.